They all, however, find an outlet that matches their capacity of evilness. With every character, it is their ignorance, in some or the other form, that makes them slave to jealousy, damaging their power of reasoning and discretion. The “ ocular proof” for Othello is not his wife’s words but a cloth material. A mere handkerchief, that authenticates their love, is easily misused by Iago to prove Desdemona infidel. The tragedy in the play, in actuality, is caused with “ trifles light as air” that is required for jealousy to emerge. It is not Othello’s social position that is attacked by Iago but he uses Desdemona as an instrument to instigate falsity, something that he could make him believe he didn’t deserve but got. Once it becomes evident to him, it transforms to take the shape of revenge and violence for its elimination. Characters like Rodrigo and Bianca are engaged in the same fruitless attempts of overlooking reality and Othello works under the fear of losing what he already has. The play vividly shows how jealousy has no concrete cause but often is built on an assumption. He only extends his own self, makes Othello fall into his situation, for he knows how damaging, irrationally harmful can jealousy be. it is the stubborn rejection of his disability that makes him jealous of Cassio. Iago himself acts the entire malignant plan because of his jealousy. But it is only Othello’s own belief in the deficiency of _ that makes him believe the reasonable possibility of his wife’s infidelity. Shakespeare refutes the idea of mismatch on the surface level with the veracity of the pure love that Desdemona has for Othello. From the beginning of the play, Othello, a moor, is considered an ill-suited match for the Venetian, fair and beautiful Desdemona by other characters. Othello’s own latent insecurity makes him fall prey to Jealousy. Iago’s confidence in his ravaging plot comes from his knowledge that Jealousy emerges from within. It is jealousy alone that proceeds the acts and demands the destruction, making the play a Tragedy. In the play, every character is a part of either nurturing jealousy or falling victim to it by the former.
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